lynxlace.com

  Revival Era Bobbin Lace
  Late 19th - Early 20th Century Straight Lace
 
Antique Bobbin Lace


  © Lorelei Halley  2009 

There are a lot of photos on this page, please be patient and give it time to load.

    Site Map        Revival Era Bobbin Lace-Part Lace

All the laces on this page were made by unknown lacemakers.  The initials refer to the owner of the lace at the time it was photographed.  Assume I am the photographer, unless other specified by:  ph/b.  All the laces labeled IT were also photographed by her.

Mesh Grounded Straight Laces:

Torchon

Torchon is always the same, whatever century it is made, a geometric straight lace, with a ground made of 2 twisted threads.  Several grounds were possible..

torchon bobbin lace
283 c/o jl  Rose ground/virgin ground   738 elena

Flanders

The modern lace called Flanders is an attempt to bring back the 18th century lace which used the five hole ground.  The town Mechlin is situated in the region called Flanders.  Some museum people refer to the 18th century lace using gimp as "Mechlin".  Laces of that type and era used any one of several grounds: Flanders (five hole), Mechlin (similar to droschel but shorter stacks of half stitches), 12 thread armure (called Binche snowflake in half stitch nowadays), Paris, Valenciennes, other snowflakes and snowballs of various kinds.  But when this type was revived at the turn of the 19th-20th century, only Flanders ground was considered appropriate.  So what we call Flanders now is a straight lace using Flanders ground, usually with gimp to surround the clothwork, and a ring pair outside the gimp.  Two pairs enter the clothwork at each pin.  See 2 structures.     

Flanders lace  
341 bh   370 bh  
All this row contain the motif called "the ape". Flanders bobbin lace
343 bh 347 bh 706 lh 707 lh

Valenciennes and Binche
The towns of Valenciennes and Binche are very close together.  Santina Levey thinks they both made virtually the same kinds of lace in the 18th century: a straight lace, with no gimp, the clothwork is surrounded by a ring pair, two pairs enter the clothwork at each pin, and any one of several grounds might occur: Valenciennes (round variant), Binche snowflakes, Binche snowballs, Mechlin, Paris, Flanders (5 hole).  Revival era Valenciennes is based on these, but limits itself to Val ground.  Revival era Binche uses primarily snowflakes and snowballs, but also may use the others as well.

Valenciennes             

   
Valenciennes bobbin lace
    742 lh 708  lh

Binche (also called Point de Fee in older books)    

      337 bh    Binche lace         342 bh

Paris

Revival era Paris lace may be based on Pottenkant.       It uses the same ground that in Bucks point is called kat stitch, but the clothwork is woven differently.  See 2 structures.  The ring pair is not consistently used around each motif.  Usually there is gimp.  The motifs in revival and modern Paris are usually mirror image symmetrical, as were Pottenkant motifs.  But Binche, Valenciennes, Mechlin and Flanders were not usually symmetrical.  This  symmetry habit  also suggests the link between Paris and Pottenkant.  Revival era Paris limits itself to Paris ground, although others may occur as fillings.

Paris lace 32 ek 121 rh

  351 bh  709 lh 710 lh

Paris bobbin lace
701 lh        

 Mechlin

Laces made in the Mechlin district in the 18th century used a variety of grounds, but as the 18th century wore on the more complex grounds tended to disappear and Mechlin ground became more frequent.  During the early 19th century many laces were made with either point ground or Mechlin ground, and the designs were very similar, almost impossible to tell apart from a distance.  You have to look really closely at the ground to be sure which was used.  Mechlin ground has little vertical stacks (when viewed from the same direction as the lacemaker.)   By the middle of the 19th century Mechlin ground laces virtually disappeared, replace entirely by point ground.   Revival era Mechlin selected only the Mechlin ground as acceptable and motif shapes somewhat recall the early 19th century, but are generally smaller and simpler.   

Mechlin bobbin lace Mechlin lace  114 lh           

 

Guipure (Bar/Braid Grounded) Straight Laces:

Genoese imitations

This one is closer to the Genoese old style than most Cluny laces.  The attempt at greater authenticity suggests to me a revival era origin, rather than earlier in the 19th century. See  19th c Straight Bar  for Cluny photos.    
339 bh        

     Abbreviations     Lace Terminology      Bobbin Lace Introduction     Bobbin 2 structural classes

    Bobbin lace history overview    1559-1700    Pottenkant/Milanese    18th c.

  Napoleonic era    19th c Straight Mesh    19th c Straight Bar    19th c Part    

   Revival Era-Part Lace     New Revival Era         My Bobbin Lace    Harz